Andre_A

Обобщая: http://stereophile.com/computeraudio/1008servers/index.html

Я про резонансы на динах) мне казалось с ними все время борются)

Это я к тому, что сам не догадывался о "сочетаниях" тонармов с деками, заинтересовался VPI scoutmaster... Интересно как звучат храмовые резонансы и вообще резонансы должны звучать?

Вот, нашел мнение в stereophile о sondek и SME: I believe that one of the keys to good record-player performance is to make sure that the major parts of it—the tonearm, the platter, and whatever structure connects them—all behave the same way: Rather than trying to keep everything from resonating, the good designer makes sure that everything resonates to more or less the same extent, so there's no relative movement of those parts. (That's one reason a damped tonearm like an SME doesn't sound good on a Linn, an undamped arm like a Linn Ittok doesn't sound good on a SOTA, the application of damping substances to the underside of a Linn LP12's subchassis makes it sound much worse, and so forth.) и линк: http://www.stereophile.com/tonearms/776/index3.html